Even murder looks beautiful in this show

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By journalsofus.com

of netflix RipleyWritten and directed by Steven Zaillian (night of, Schindler’s List), Andrew Scott stars as Tom Ripley, a lovable and mischievous (to put it mildly) con man. Ripley It’s different from almost anything else on Netflix—for one thing, it’s shot in black and white. But it’s also probably the most exciting new show on the platform and across all other streamers so far in 2024. And that unique sense of adventure can be expressed in a spectacular scene from episode 3, “Somersault.” It’s a brutal, beautiful display of a man who knows no limits, one of art’s most fascinating heroes.

[Warning: Spoilers for Ripley below.]

At the beginning of “Sommerso”, Ripley is in Atrani, Italy with Dickie Greenleaf (Johnny Flynn), who is there with his girlfriend Marge Sherwood (Dakota Fanning). Ripley was sent there by Dickie’s parents, who requested that he work to get their son back to New York. But after enjoying his new life in Atrani, Ripley has no intention of returning to New York. He reveals the plot to Dickie, who eventually invites Ripley to live with him.

While Dickie initially grows closer to Ripley over the absurdity of Ripley’s presence in Dickie’s adopted homeland, both he and Marge grow tired of her constant presence. After spending several months together in Atrani, Dickie takes Ripley on a boat trip to Rome and, once they are far out at sea, gently breaks the news that he knows they will not be together for a long time. Want him with you – or, at least, as gently as one can deliver such harsh news.

The boat trip sequence is notable for several reasons. From its anxiety-inducing, climactic storytelling to its stunning cinematography, this is the kind of scene you’d expect from a daring art-house film, not a Netflix series. What makes it even more unforgettable is Ripley’s transformation from a suspected thief to a full-blown sociopath.

Johnny Flynn as Dickie Greenleaf and Andrew Scott as Tom Ripley.

Johnny Flynn as Dickie Greenleaf and Andrew Scott as Tom Ripley.


We’ve seen time and again that that’s a recipe for two deaths at sea. Not that Ripley killing Dickie is that surprising (especially if you’ve seen 1999). talented mr ripley Or read the original novel by Patricia Highsmith). What is shocking here is the ease with which Ripley murders Dickie. There is nothing impulsive in Ripley’s decision to pick up the paddle and repeatedly strike Dickie in response to Dickie’s request to leave town. But Dickie seems completely unfazed, with his last words a plea: “Tom, help me,” he asks his supposed friend. But he barely gets through the sentence before Ripley strikes him over the head for the last time, ending Dickie’s life.

After killing Dickie, Ripley does not appear overwhelmed. Instead, the show places her in the center of the frame, showcasing her deep sense of peace. Here, it becomes clear that this murder was not committed out of passion, but rather a deliberate next step in his mission – however, the purpose of that mission is clearly unclear. Most shows would end here, with Ripley back on the ground, perhaps nervously looking over her shoulder and watching her every move. But Ripley Just getting started.

Andrew Scott is terrifyingly brilliant in this role, and this scene exemplifies that. He perfectly captures Ripley’s coldness throughout the scene, appearing completely unfazed, as if she hasn’t killed what anyone watching would consider her best friend. Scott’s physical appearance is worrying; His eyes were twinkling without any remorse, his body was rigid. This charming man is no longer attractive: he is a ruthless killer, and perhaps he always has been. This creates scary questions in the minds of the audience – namely, how many people has Ripley killed in her lifetime for her to be here so incredibly undead?

For the next 15 minutes, we see Ripley’s considerable efforts to erase any evidence of her crime. He washes the blood off Dickie’s property and takes everything that could potentially identify him, slowly putting the next steps of his plan into motion. RipleyThe usually excellent music and score are absent here, to even more disconcerting effect; The sequence unfolds in near silence, with only the sounds of the ocean – once comforting, now disturbing – and the creaking of the boat to keep us at bay.

Things become complicated when trying to get Dickie’s body out of the boat. Ripley tied a rope around Dickie’s legs, attaching them to a heavy weight, ensuring that he would sink to the bottom of the ocean out of sight. But as the rope leaves the boat, it trips Ripley, knocking her into the water and causing the motorboat to run aground around her.

It’s a nightmare situation, and the show presents it that way. When Ripley comes out of the water, she has a panicked expression on her face; This is the first time we’ve seen him start to unravel, especially since we’ve learned so far that he’s unable to swim. Ripley narrowly escaped being hit in the face by the boat, but the weight thrown into the water hit him on the back of the head. The camera fades to black, and finds the boat still rotating.

Johnny Flynn as Dickie Greenleaf and Andrew Scott as Tom Ripley.

Johnny Flynn as Dickie Greenleaf and Andrew Scott as Tom Ripley.


Miraculously, Ripley doesn’t drown – and this comes as a relief to us given her disturbingly charming nature. He grabs the rope and starts climbing it. His crotch is inches from the propeller, the sound of which creates unbearable tension; But Ripley, always the lucky scoundrel, manages to escape being tortured to death and finds himself back on the boat. He takes a moment to breathe, but only a moment. He immediately springs into action and eventually throws Dickie off the boat.

Any other show that had not ended at the time of Dickie’s death would certainly have ended by now. But Ripley This is convincing, as we see the thief sail towards shore and wreck the boat. When the fire doesn’t work, Ripley fills the boat with rocks to effectively sink it. After collecting hundreds of stones, Ripley prepares to climb high cliffs to take them back to Atrani – and, from there, takes charge of the recently deceased Dickie’s life. By showing us Ripley’s entire plot to get rid of Dickie, the scene becomes infinitely more dangerous than the usual shocking murder seen in dramatic film and television. It’s important to see Ripley kill Dickie, but it’s equally important that we see her dedication and determination to fulfill her destiny.

So far, we’ve had some idea of ​​what Ripley is capable of. He has made his way from New York to Italy, and he has successfully inserted himself into Dickie and Marge’s lives. It is clear that he is an exceptionally capable swindler who is determined to accomplish a goal. But what we didn’t know was just how intense Ripley’s determination is, and how far she’ll go to get what she wants. This stunning extended scene unmasks Ripley, revealing a man who is willing to kill to get the life he feels he deserves. But the really shocking thing about all this is how thorough he is – with each meticulous, extravagant detail Ripley goes into to hide Dickie’s body and hide the boat, he becomes more changeable and terrifying.

Episode 3 is a clear turning point for the series, as it challenges everything we thought we knew about Ripley, while also highlighting just how big of a threat she really is. And it does all this without even saying a word. Other shows would kill for such excellent, restrained, entertaining work.

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